Due to our recent readings of Redhouse's dated English translations of two chronicles by the imam Ahmad Ibn Furtu or Borno, we at the blog have decided to tackle Hunwick's translation of the chronicle Tarikh al-Sudan by Abd al-Rahman al-Sa'di. Unfortunately, Hunwick did not translate the entirety of the chronicle written by our Timbuktu author, skipping 2 chapters on Moroccan politics and later chapters on events after 1613, with the pasha administration and post-Songhay Middle Niger politics. That era, after 1613, when effective Songhay resistance was largely over and fewer large-scale empires operated in the "Western Sudan", was for obvious reasons quite distinct from the "imperial" era of Songhay, Mali, or Ghana.
As the general narrative of the Songhay Empire or the Western Sudan owes so much to al-Sadi and the Tarikh al-Fattash, reading this chronicle was basically an exercise in seeing how so many historians and documentarians have borrowed this or that idea, characterization, or plot point in their depiction of Songhay rulers like Askia Muhammad or Sunni Ali. We have read select chapters of the two surviving Timbuktu chronicles in the past, for our earlier projects on Ghana and pre-imperial Songhay history, so the early chapters were nothing new. As recent scholarship has shown, an overreliance on the Timbuktu tarikhs is problematic, as the authors had various political, ideological, and religious motives at play, and were relying on oral traditions for much of the earlier history of their region. For instance, today's scholars have called into question the idea of Ali Kulun and the Sunni dynasty of Songhay rulers, pointing to the alarming parallels with Tuareg oral traditions and folklore. Mande, Berber, Songhay, and Islamic influences intersect and shaped how Timbuktu chroniclers like al-Sadi perceived the Middle Niger and the "land of the Blacks" in surprising ways, and not always in what modern secular readers considered to be historically accurate style or methodology.
Thus, one must use these sources very carefully while also coming to see something of the interplay or oral and written traditions in West African literature. One can read these chronicles and see commonality with the oral epics of Sunjata, or the oral epics of the Bamana people of Segu. For al-Sadi and his audience, chronicling the great past of his region while endeavoring to avoid offending the Pasha administration relied on portraying the later Songhay Askia dynasts as corrupt and decadent, yet celebrating the security, Islamic scholarship, and cosmopolitan ties of Timbuktu and Jenne in the Songhay Golden Age (scholars who traveled to Mecca, Egypt, North Africa or corresponded with illustrious figures from Cairo). Moreover, while the author was of "Berber" descent, he also mentions a Fulani ancestor, and probably possessed other West African non-Berber forebears. Clearly, he was a man of Timbuktu and identified with the region and its peoples, and Islamic devotion filtered the lens through which he viewed West Africa. In that respect, he resembled Ahmad Ibn Furtu, the chief imam of the mosque in Borno's capital during the reign of Idris Alooma. Like Ibn Furtu, his historical chronicle sought to stress the proper and just Islamic devotion of his class and preferred rulers. For al-Sadi, this seems to have been Askia Muhammad I and Askia Dawud, and one of course must question the portrayal of these rulers in the chronicles.
It is also clear that the text pointed to the corruption and in-fighting among various siblings and cousins of the Askia royal family over the course of the 16th century as a cause for the empire's decline and relatively quick fall to the invading forces of Morocco. How the Songhay went from being able to raid Moroccan territory in the Dar'a Valley under Askia Dawud to being quickly routed by a relatively small Moroccan force armed with muskets in 1591 is difficult to conceive. Unless the Songhay state was already weakened by problems with succession that weakened its ability to maintain central authority and military capacity, muskets should not have been enough to topple Songhay. Unfortunately, al-Sadi has little to say about the slaves, artisans, and laborers, and little to say about the influence of women among the Songhay. The so-called subaltern groups were probably not seen by al-Sadi as significant historical actors, but glimpses of their role in the economy, political conflict, and marriage alliances of the Songhay rulers clearly emerge. Artisans, such as tailors and shoemakers, hardly appear in chronicle, despite the several workshops in Timbuktu run by tailors who were sometimes scholars themselves. We learn they had a quarter in Gao, created by Askia Dawud, which may also be a veiled reference to artisans as a casted group.