Sékéné Mody Cissoko's Tombouctou et l'empire Songhay is a fascinating yet problematic work. Originally published in the 1970s, and by an author who accepted the theories of Cheikh Anta Diop and believed in the need of connecting postcolonial African nation-states to their precolonial past, the Songhay Empire is presented as the apogee of Western Sudanese civilization. We are led to believe or accept a number of premises, including that the Songhay state was a modernizing one and that the pyramidal character of buildings and mosque construction in the region may be a reflection of connections with Ancient Egypt. Cissoko also asserts that the level of learning at Timbuktu was comparable to a university, despite his acknowledgement that the city lacked the madrasas characteristic of Egypt or the Maghreb and the decentralized nature of instruction which emphasized Islamic religious education or law. In addition, Timbuktu, as the intellectual and economic capital of the vast Sudanese empire, characterized the Islamic influence that was largely marginal or absent in the South and east of the Empire. Indeed, Cissoko's work reflects this dichotomous view of Songhay civilization as one torn between the "high" Islamic culture and literacy of the towns and western provinces versus the found of traditional beliefs and religions in areas like Dendi. In fact, Sonni Ali's infamous relations with the ulama of Timbuktu is presented as an example of anticlericalism while the Sonni were and are associated with magic or sorcery in the "traditional" Songhay culture.
Despite it's flaws, perhaps Cissoko's synthesis is worthwhile as a testament to the methodology and value postcolonial African historians practiced with regard to the Western Sudan. Cissoko clearly sought to balance the usual written sources with oral traditions and ethnographic work based on his own work and that of scholars like Jean Rouch and Boubou Hama. While it was not especially successful in Cissoko's case, and perhaps he overstates the "clash" between "animist" traditional religion and Islam, Cissoko's study raises a number of relevant historical questions and contemporary dilemmas. For instance, is it true that the Songhay Empire, at its zenith under the Askias, created a modern state in which the rulership was independent and dissociated from the individual with a greater degree of political centralization? The evidence utilized by our author, mainly restricted to the Tarikhs, al-Maghili's responses to Askia Muhammad and Leo Africanus, do not suffice to adequately answer this question. Furthermore, if the masses of the population of Songhay were slaves, why was it not a slave society? Surely the lack of sufficient documentation makes the demographic analysis of Cissoko questionable, particularly in his high estimates for Timbuktu's population.
Furthermore, one could ask if it is a fair portrayal of the bourgeoisie marchande in Cissoko's analysis? Was it true that they did not invest their profits locally into things like land, new enterprises, or industries that could have revolutionized the economy? If 16th century Songhay truly enjoyed such a prolonged period of commercial success and growth, is it fair to make Cissoko's generalization given our paucity of sources? One can see how Cissoko thought addressing that question would be rather relevant to 20th century postcolonial Malian or African readers of his work. As their postcolonial states sought economic growth or development with different models, perhaps Cissoko's critique of the alleged wastefulness of the Askias and Songhay elites had more to do with the modern political and economic elites in Mali. That said, Cissoko's study does offer a (dated) comprehensive overview of the Songhay Empire that raises a number of interesting questions. We shall endeavor to explore some of those questions with Michał Tymowski.