Gerson Alexis's Lecture en Anthropologie Haitienne, a book we randomly encountered at a library today, includes the ethnologue's Notes on the Haitian Mandingues, in French and a slightly different English translation. Supposedly part of an unpublished manuscript, all we have, sadly, are the notes. While Alexis acknowledged the tentative nature of some of his conclusions of his study of the Mandingue cult in Morne Rouge, in Plaine du Nord, some of his conceptualizing of the community he observed struck as bizarre. Indeed, when one reads of this syncretic religious community, perhaps about 1000 people in Balan and a few nearby areas, one reaches the conclusion that this cult perhaps represents what Haitian Vodou was actually like in the 19th century. Indeed, after reading Duverneau Trouillot's ethnographic observations, from the late 19th century, one can see that "Vodou" in those days often revolved around African "nations" with particular rites, taboos, and customs. But over time, some of these distinctions were lost as the Africans and their Creole descendants became Haitian. The intriguing thing about the Mandingues of Morne Rouge, however, is that their distinctive practices and claim to a Mandingue ancestry persisted so late into the 20th century.
To explain what we mean, consider Alexis's observation of congo, yanvalou and djuba rhythms in the Mandingue ceremonies. He seems to conclude that the Mandingue, perhaps due to their ancient Islamic influences and medieval empires, were culturally "advanced" and influenced the other "nations" of Africans in Saint Domingue/Haiti. Due to their allegedly advanced state, these Mandingues influenced other Africans in Saint Domingue. In fact, Alexis goes so far as to suggest words like mambo and houngan actually come from the Mandingue! However, yanvalou actually comes from Benin and the other rhythms noted by Alexis likely derive from other regions of West and Central Africa. Vodou terms such as houngan and many other aspects of the religion clearly owe more to other parts of West Africa, too. It is far more likely that the Mandingue cult observed by Alexis in 1967 had already been heavily influenced by the same forces that shaped the development of Haitian culture and Vodou. This would explain why Alexis observed rhythms from other traditions in the Mandingue ceremonies or "ordonnances." Indeed, this has to be the case since the "Mandingues" observed by Alexis are scarcely different from the other peasants in the area. In addition, while most of their members were descendants of past members claiming Mandingue lineage, new members could join the community through initiation. This process, in addition to the shared general culture of the region, might explain the appearance of rhythms from other traditions.
But let us revisit the distinct features of the Mandingues. According to Alexis, the members of the community possessed a strong group consciousness, reinforced through ritual communion and a pact with degue, a type of rice flour with cane syrup. The members of the community claim African authenticity and distinguish themselves from the Canari dances and Vodou. They even claim to be members of the Society of King Mahomet! Unfortunately, the way Mahomet's name is transcribed by Alexis is somewhat ambiguous (MA-RO-MET) but it is probably the Prophet Muhammad of Islamic tradition. Besides referring to Muhammad, the Mandingue believe in a Supreme Being, sometimes associated with the Sun. Their cult is oriented to the adoration of this Creator being and their ancestors. In their prayers, they address Allah, Moussa (Missa?), and Mahomet. Moreover, their rituals take place at two times: dawn or early morning and in the evening. These meetings take place after a member dies, to commemorate the dead. These ceremonies, per Alexis, are called fran-gan-dan-man.
The leader of the Mandingue community is called mori. According to Alexis's Liberian informant, mori means "patriarch" among in Bambara and Malinke. However, mori is used by the Bambara to refer to Islamic diviners, something closer to the function of the mori among the Haitian Mandingue. By the time Alexis wrote his study, the Mandingue had only 1 mori, Barthelemy Exhalus, son of Exhalus Medard, the previous mori. It is probable that the position of mori was passed down from father to son, though Alexis does not provide evidence to prove it. This would fit, however, Vodou of the past in which the position of houngan was often passed down within the family. As for the Haitian mori, his main function is to communicate with the great Spirit through dreams and serve as a depository of the cult secrets. He understands the messages of the dead, who possess members of the community during ceremonies. Through prayer, song, dance, and sacrifices, to this Great Spirit and ancestors, members can be possessed. Perhaps as a remnant of their Islamic past, offerings excluded pigs (according to the English version). These spirits of ancestors, or zanges (anges) were never called lwa. Much like Haitian Vodou as we commonly know it, the mori used Catholic prayers in ceremonies. Their music, including a dance called Ronde du Mort, featured rhythms familiar to Alexis through other parts of Haitian culture. Unlike other Haitians, the Mandingue mori sang an incantation to Allah. Relying heavily on Balenghien, Alexis interpted one song as a deformation of the Islamic Shahada: Bi si mian y mi alahum- a ki baou Assa dan ila-a ilala. Elsewhere, the mori said Missa, Man-n Ma De, which is interpreted as Missa (Moses, or Musa) and Mamadu (Muhammad).
To his credit, Alexis consulted specialists of Malian and West African languages and cultures. He relied heavily on a priest, Balenghien, who directed a center for the study of African languages at Taldye, Mali for confirmation of his theories. For instance, the burial practices of the Mandingue of Haiti included placing the corpse in a L-shaped hole, covering the body to prevent contact with the ground. According to Alexis's informant in Mali, the Bambara have similar customs. For identifying the Shahada in the incantations of Barthelemy Exhalus, he also relied on this Mali-based informant. In what may even be a possible reference to past Mandingue kings, Alexis saw a reference to a great Mandingo who introduced Islam when members of the Mandingue society claimed descent from the family of "Popotte Moussa." We, on the other hand, are inclined to think this "Popotte Moussa" may have been a prominent local "Mandingue" in the 19th century.
Overall, the evidence suggests the persistence and survival of a strong Mandingue identity well into the 20th century in this part of Haiti. That they were influenced by Islam can be seen in the title mori, allusions to Muhammad, and that their religious ceremonies only commemorate the Creator (Allah?) and the souls of ancestors. Since they participated in the everyday rural culture of Morne Rouge, their religious ceremonies unsurprisingly acquired many traits of other contributions to Haitian culture. But Alexis's great contribution is in identifying the survival of one religious community in Haiti that preserved such a distinct, Islamic-influenced tradition. One must assume a sufficient number of Mandingue and West African Muslim captives were in the area so that the community did not die. Unlike, say, the Fulani and Borno Muslims described by Descourtilz, these Mandingue persisted well into the 1900s. Their willingness to accept new members through initiation and the custom of shared veneration of ancestors must have attracted Haitians from other traditions.
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