Focusing on Kanem, Borno, Lake Chad, Sahel, and West Africa from a historical perspective
2/22/26
The Obligations of Princes: An Essay on Moslem Kingship
9/28/25
Abu Ishaq Ibrahim al-Kanemi
6/19/25
Reconsidering Muslim Spain
3/16/25
Medieval Arabic Epigraphy from Mali and Songhay History
12/13/24
Bori in Tunisia and al-Timbuktawi
Ismael Montana's study and translation of Hatk al-Sitr is an interesting study of the manifestation of the Bori cult in Ottoman Tunisia. Although, sadly, too brief of a treatise, al-Timbuktawi's biased yet provocative denunciation of the religion as shirk requiring state intervention to eradicate it and reenslave recalcitrant "Sudan Tunis" in the Regency is both disturbing and illustrative of West African jihadist intellectuals of the late 18th and early 19th century. To Montana, al-Timbuktawi's views and his intervention in the state of affairs in Tunis, through which he passed whilst performing the pilgrimage, represents an instance of West African Islamic intellectual currents and interactions with both Wahabbism and North Africa.
Surprisingly, however, Montana did not fully explore the deeply misogynistic element of al-Timbuktawi's work, which sees Bori's threat to the Islamic state and society of Tunisia as particularly dangerous due to the role of its female priests, "lesbianism" and the local Tunisian women enthralled by this cult of ritual healing and polytheism. This gendered dimension is mentioned in terms of the prominent role played by women as ritual leaders and priestesses in Bori, but its gendered impact on local Tunisian society seems to us as particularly important, since it reflects both the misogyny of al-Timbuktawi (and probably many of the pro-jihad intellectuals in West Africa) and another aspect of the great role of women in Bori.
We hope to read Tremearne's later account of Bori to gain deeper insights into this gendered dimension of the religion as well as its practice in both Hausaland and North Africa. Since al-Timbuktawi was mainly writing for the purpose of convincing the authorities in Tunis to suppress Bori, he does not cover in great detail the religion or the ethnic origins of its practitioners. Certainly, the Hausa influence is predominant based on some of the names and titles used in the cult (referring back to political titles in Borno or Hausa kingdoms, for instance, or using Hausa words). But, one wonders about the Bambara, Songhay, and Nupe mentioned by al-Timbuktawi. Indeed, if Bori in North Africa is similar to Gnawa in Morocco, one also wonders if a degree of syncretism was also emerging within West Africa itself due to the slave trade between the areas of the Niger Bend and the Central Sudan. For instance, were there "Bambara" and Songhay groups present in the Hausa kingdoms who introduced aspects of the Bamana boli and Songhay holey? And what of Hausa captives, Nupe and even Yoruba groups who may have also interacted with the ritual and theological facets of "indigenous" African religions in Hausaland? While some of the similarities with Vodun and Yoruba practice may be superficial, the prominence of animal sacrifice in specific rituals, spirit possession, and the ways in which Bori could coexist with Islam like Vodou and Yoruba religion with Catholicism have always struck us as areas worthy of further exploration.
11/26/24
Jewry of Medieval Cairo
7/25/24
The Sultanate of Mali
6/25/24
Christianity and the Garamantes
6/20/24
The Garamantes of Southern Libya
Charles Daniels wrote, in 1970, a short but summative work on the Garamantes. Of course, archaeologists and historians of today have access to more data, surveys, and excavations, including work at other sites across the Sahara. Nonetheless, Daniels, limited as he was by the state of archaeological research of his time and the handful of references to the Garamantes from Roman sources or Herodotus, was able to carefully wade through the confused or biased external sources and make some sense of the data from archaeology. Clearly, the Garamantes were not tent dwelling nomads or barbarians who lived only through brigandage. And while their material culture and architecture did seem to improve with the increase in imported goods from the Mediterranean, one wonders if craftsmen from the north were always responsible for the finer monuments and buildings. The Garamantes, as a civilization with roots in the last millennium before our era, and with ties to various advanced cultures, was perhaps capable of adapting and mastering other construction techniques besides mudbrick. That said, one wonders if the Garamantes were, as indicated by Daniels, more of a confederation. Therefore, their kingdom, despite most of its population probably being sedentary and living in the Fazzan oases, may have included Saharan pastoralists who did, occasionally, engage in banditry and attacks on Roman North Africa. This might explain part of the reason the Roman sources portrayed the Garamantes as Saharan bandits, if some of the allied Berber populations did attack coastal areas.
In addition, Daniels draws from the general ancient literature on various Berber peoples across Libya and the Sahara to speculate about specific Garamantian customs and beliefs. He is likely correct about certain things, like the use of the Berber language, the Ammon cult, the practice of divination, and "looser" gender roles and polygamy among the Garamantes being shared with other Berber cultures. However, despite his acknowledgement of the racially mixed character of the Garamantes, he did not address the sub-Saharan and perhaps Tubu influences in Garamantian civilization. Surely, if the Garamantes were sometimes lumped into the "black" category by ancient Roman sources and were lumped into the "Sudan" category by medieval Arabic sources, the Garamantes likely exhibited many cultural traits of non-Berber origin, too.
6/17/24
Olympius, Black Venator of Vandal Carthage
Latin poet Luxorius wrote a tribute of sorts to a popular, dark-skinned venator or beast-fighter in 6th century Carthage. A translation of the poem can be found here, translated by Art Beck. Below is Luxorious's praise of Olympius, who was an Egyptian:

